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Oktober 1891: Page 410

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. Mk 1. No. 13. Le petit Vagabond. Mk 2. No. 14. Chanson de Chasse. Mk 2,50. No. 15. Feu follet. Mk 2,50. No. 16. Perdu. Mk 1. No. 17. Scherzo. Mk 1. No. 18. Sérénade. Mk 1. No. 19. Impromptu. Mk 2,50. No. 20. Temps orageux. Mk 2,50.
Op. 141. Die Schule der Geläufigkeit f. Anfänger. Mk 2 n.
– 148. Novelletten. 12 kleine Salonstücke. à Mk 3.
  • No. 1. Morgengruss.
  • – 2. Ständchen.
  • – 3. Märchen.
  • – 4. Idylle.
  • – 5. Ein Sommernachtstraum.
  • – 6. Impromptu.
  • No. 7. Wellenspiel.
  • – 8. Valse noble.
  • – 9. Nocturne.
  • – 10. Ländler.
  • – 11. Polonaise.
  • – 12. Elfentanz.
– 151. 3 Sonatinen. No. 1 (C). No. 2 (G). No. 3 (A). à Mk 3.
– 154. Aquarellen. 6 Vortragsstücke. No. 1 (B). No. 2 (Des). No. 3 (A). No. 4 (F). No. 5 (D). No. 6 (As). à Mk 3.
– 168. 2 Rondinos. No. 1 (A). No. 2 (Es). à Mk 3.
– 170. Ballklänge. 2 Walzer. No. 1. Clarissa. No. 2. Cornelia. à Mk 3.
– 173. Abendstunden. 6 charakteristische Stücke. à Mk 3.
  • No. 1. Mandolinata.
  • – 2. Notturno.
  • – 3. Wanderlied.
  • No. 4. Gondellied.
  • – 5. Jugendfeuer.
  • – 6. Impromptu.
Parade-Marsch. Mk 3.
12 Rondinos (1. Series), leading from the easiest up to the difficulty of Clementi’s first Sonatina (C), arr. and fingered. No. 1–12. à Mk 3.
  • No. 1. Wanhal. (F)
  • – 2. Steibelt. (C)
  • – 3. J. Schmitt. (G)
  • – 4. A.E. Müller. (F)
  • – 5. Gelinek. (C)
  • – 6. Czerny. (C)
  • No. 7. Diabelli. (C)
  • – 8. A. André. (G)
  • – 9. Berger. (F)
  • – 10. Haslinger. (C)
  • – 11. Beethoven. (C)
  • – 12. Kuhlau. (G)
12 Rondinos (2. Series), leading from Clementi’s first Sonatina (C) up to the difficulty of Beethoven’s Sonatina, Op. 49 No. 2. arr., partly composed and fingered. No. 13–24. à Mk 3.
  • No. 13. Kuhlau. (C)
  • – 14. Schubert. (Bm.)
  • – 15. Schumann. (G)
  • – 16. Dussek. (A)
  • – 17. Haydn. (G)
  • – 18. Czerny. (C)
  • No. 19. J. Schmitt. (A)
  • – 20. X. Scharwenka. (C)
  • – 21. Moszkowski. (G)
  • – 22. Mackenzie.
  • – 23. Gurlitt. (A)
  • – 24. Gurlitt. (Es)
Aus der Kinderwelt. 20 kurze Stücke. Mk 2 n.
12 progressive Sonatinas (1. Serie), leading from the easiest up to the difficulty of Clementi’s first Sonatina (C). No. 1–12. à Mk 3.
  • No. 1. Enckhausen. (C)
  • – 2. Haslinger. (F)
  • – 3. A.E. Müller. (C)
  • – 4. Diabelli. (C)
  • – 5. J. Schmitt. (G)
  • – 6. Gurlitt. (C)
  • No. 7. Gurlitt. (G)
  • – 8. Pleyel. (C)
  • – 9. H. Wohlfahrt. (G)
  • – 10. Steibelt. (C)
  • – 11. Wanhal. (B)
  • – 12. A. André. (Am.)
12 Sonatinas (2. Series), leading from Clementi’s first Sontina (C) up to the difficulty of Beethoven’s Sonatina, Op. 49 No. 2, arr., partly composed and fingered. No. 13–24a à Mk 3.
  • No. 13. Haslinger. (C)
  • – 14. Wanhal. (C)
  • – 15. Steibelt. (F)
  • – 16. Berger. (A)
  • – 17. J. Schmitt. (G)
  • – 18. Clementi. (F)
  • No. 19. Czerny. (C)
  • – 20. Gelinek. (F)
  • – 21. A. André. (G)
  • – 22. Dussek. (G)
  • – 23. Wanhall. (C)
  • – 24. Gurlitt. (A)

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